Lesley Manville Slammed as ‘Out of Touch’ and ‘Pretentious’ After Claiming Theatre-Goers Taking Photos During Curtain Calls is ‘Insulting’

Lesley Manville đã gây ra một cuộc tranh luận gay gắt trong giới sân khấu sau khi bà chỉ trích những khán giả chụp ảnh trong lúc chào khán giả cuối vở diễn là "xúc phạm".
Lesley Manville has sparked a fierce debate in the theatre world after she blasted theatre-goers who took photos during curtain calls as ‘insulting’

Lesley Manville, the acclaimed actress, has ignited a fierce debate in the theatre community after criticizing theatre-goers for taking photos during curtain calls, calling it “insulting” to the performers. The two-time Olivier Award-winning actress, known for her roles in both stage and screen productions, made the comments in a recent interview, sparking reactions from fans, fellow performers, and industry professionals.

The two-time Olivier Award winner, 70, is currently on stage at the National Theatre opposite Rivals' Aidan Turner in the latest adaptation of Les Liaisons Dangereuses (pictured)
The two-time Olivier Award winner, 70, is currently on stage at the National Theatre opposite Rivals’ Aidan Turner in the latest adaptation of Les Liaisons Dangereuses (pictured)

Manville, currently starring in Les Liaisons Dangereuses at the National Theatre opposite Aidan Turner, revealed that the production has implemented a ban on audience members taking photos during the performance and after the show during the curtain call. This move comes amid her concerns over what she describes as the growing trend of audiences using their phones in theatres, a practice she believes undermines the essence of live performance.

A Call for Theatre Preservation

The actress insisted that it had only recently begun to happen more on the West End, having trickled in from the States, and urged people to 'preserve theatre' and 'take the digital out of it just for a moment' (seen onstage with Jeremy Irons in Long Day's Journey Into Night)
The actress insisted that it had only recently begun to happen more on the West End, having trickled in from the States, and urged people to ‘preserve theatre’ and ‘take the digital out of it just for a moment’ (seen onstage with Jeremy Irons in Long Day’s Journey Into Night)
Lesley's comments ignited a passionate debate online, with many theatre lovers and fellow performers branding her remarks unfair and 'a bit snobby'
Lesley’s comments ignited a passionate debate online, with many theatre lovers and fellow performers branding her remarks unfair and ‘a bit snobby’

In an appearance on BBC Radio 4, Lesley expressed her frustration over the trend, which she believes has become increasingly prevalent, especially in the West End. She remarked, “Why can’t they let it live in their souls for five minutes?” referring to the audience’s urge to capture the moment rather than simply experiencing it. Manville made it clear that this was a recent phenomenon that had “trickled in” from Broadway and the US, and she is determined to preserve the integrity of theatre by urging audiences to momentarily step away from their digital devices.

Oti Mabuse joined those insisting audiences only wanted to take a memento of experience, while also pointing out the rising price of theatre tickets made it even more important for people to document the occasion, saying 'it should be viewed like a standing ovation'
Oti Mabuse joined those insisting audiences only wanted to take a memento of experience, while also pointing out the rising price of theatre tickets made it even more important for people to document the occasion, saying ‘it should be viewed like a standing ovation’

“I feel so strongly about it,” she continued. “Now there’s an announcement before the play begins, so people don’t just look at a sign and ignore it. They’re actually hearing a voice saying, ‘Please do not take photographs.'”

While most productions prohibit phone usage during the show itself, many leave the curtain call open for photos, and some even encourage it. For example, in the Six musical, audience members are urged to capture the final bow of the performers. Manville, however, sees this as disrespectful, claiming it detracts from the artistry and emotional connection of the performance.

However, Lesley was not alone in her opinions, with several people voicing their support of her argument, including several of her fellow actresses such as Marcia Cross and Hannah Waddingham
However, Lesley was not alone in her opinions, with several people voicing their support of her argument, including several of her fellow actresses such as Marcia Cross and Hannah Waddingham

The Controversial Opinion

Lesley’s stance has sparked backlash from many within the theatre industry, with numerous fans and fellow performers criticizing her as being “out of touch” and “pretentious.” Many argue that taking photos at the curtain call is simply a way for audience members to remember a memorable experience. Some also suggest that in the age of social media, photos and videos can serve as free marketing for the show, encouraging others to attend and boosting its profile.

Strictly Come Dancing star Oti Mabuse was one of those who spoke out in support of audience members taking photos. She explained that for many people, especially those from underprivileged backgrounds, a photograph of a show can be a precious memento. “For an underprivileged child who didn’t know or has never even been in a theatre, this is a huge dream to film the end,” Oti said. She recalled her own first experience of theatre at 25 and how taking a photo of Beverley Knight became a defining memory.

“That one picture will make their absolute life! They get to keep that moment on their device for a lifetime. That photo could be the difference of keeping the dream alive for a little kid,” she added.

Loose Women star Denise Welch echoed this sentiment, arguing that taking photos at the curtain call is a way to share the joy of the performance with loved ones, not just on social media.

Theatre and Social Media: A New Era

While many were critical of Manville’s comments, others found themselves agreeing with her position on the matter. Desperate Housewives actress Marcia Cross, who voiced her support for the ‘no phones’ policy, suggested that theatre should be preserved as a sacred experience. “Yes, let the theatre be a sacred event,” she wrote.

Supernanny star Jo Frost also backed Lesley, posting multiple applauding emojis in support of her argument. Meanwhile, actress Amanda Abbington shared her approval with a simple string of love hearts. However, not all comments were in agreement, as many fans took to the comments section to point out that people should be allowed to capture their experiences in a meaningful way.

One fan argued, “We probably need to learn to be more in the moment with all aspects of our lives. Is there really a need for everyone to photograph absolutely everything?” While another commented, “I think phones should be banned from any live performances. We are forgetting how to live in the moment and creeping towards a society where things only feel real if they’ve been shared on social media.”

Others found Manville’s stance “snobby” and “elitist.” “Honestly, the LAST thing stage actors should complain about is what the audience does AFTER the play or musical ends. It’s a bit snobby and elitist,” one critic wrote.

A Divisive Debate

The debate continues to rage on as both fans and theatre professionals weigh in on the issue. Some argue that taking a photo of the curtain call should be seen as a mark of respect for the performance, a way to share appreciation for the actors with family and friends. Others, however, believe it detracts from the purity of the live experience.

Lesley Manville’s comments have certainly raised awareness about the evolving relationship between theatre and technology. While many still argue that the digital age is incompatible with the timeless nature of live performance, others see it as an opportunity to bridge the gap between generations and bring new audiences into the fold.

In the end, it remains clear that the theatre world is divided on the matter, and the conversation about the role of technology in live performance will likely continue for years to come.